Mythologizing the Self Through Autofictional Theatre
Obviously, then, as a dramatization of my life, Strange/Familiar isn’t a straightforward autobiography. Instead, the play...
Obviously, then, as a dramatization of my life, Strange/Familiar isn’t a straightforward autobiography. Instead, the play...
There is a well-trotted story that Herman Melville, as he was writing Moby Dick from his...
Build the Reason for the TripA good journey requires a good amount of planning, and each...
In playwriting circles, there is a trend to announce on social media that “I got rejected...
Nabra Nelson: Salam Alaikum, welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons,...
Othello breaks my heart. Every. Single. Time.Unlike many—scholars, directors, actors—who have given up on the Moor...
Thereafter, I got a job marketing theatre to the East African community. I thought, “I already...
Being a Muslim and an artist are two things that go hand in hand for me....
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons,...
Over four days we created a concept that empowered inclusivity and unbounded creativity. It also allowed...
